Women in Islam (Haven is underneath the mother’s feet)
Women in Islam (Haven is underneath the mother’s feet)
Here we go, the Veil_phobia is not limited to France anymore. Efforts to curtail religious freedom is taking roots around the world. People of all religions should be objecting to this unjust law and stand with Muslims to oppose it, because it is Muslim Veils today, it will be Christian and Jewish religious clothing next…
Here is post from JPOST….
The burka can’t be permitted under the freedom of religious expression, just as full nudity can’t.
The burka ban debate raging in Europe has made it to Israel. MK Marina Solodkin (Kadima) announced this week her intention to initiate a bill that would prohibit the wearing of a full-body and face covering for women. Solodkin said that her bill would not differentiate between Muslims and Jews.
The burka is most commonly tied to Islam. It is worn in more extremist Muslim traditions as part of a conscientious adherence to hijab – the Islamic requirement to dress and behave modestly in public. But in recent years a zealot sect of haredi women, numbering perhaps a dozen or two, has also adopted the burka as part of their understanding of tzniut – Judaism’s modesty requirements. The most prominent member of this splinter group, who became known as the “Taliban lady,” was charged with sexually abusing her children.
Solodkin, inspired by a recent anti-burka campaign launched by French President Nicolas Sarkozy, argues that the burka is an attack on the dignity of women. We agree.
Whether there are in Israel enough burka-wearing women to justify devoting the energy and resources needed to legally discourage the phenomenon is unclear. But in principle, a strong argument can be made for banning the burka and what it represents.
First, the custom is misogynistic. The aim of covering a woman from head to toe is to blot out her feminine presence in the public domain; to turn her into a nonentity that cannot express her desires and her thoughts; to deny basic human interaction. Religious freedom, like any other right, is granted on condition that it is not exploited for destructive goals, such as the subjugation of women.
Muslim women who say they choose to wear the burka might argue that they are no more a product of male domination than anorexic western women vainly striving to meet men’s prurient demands for a perfect body. But while the objectification of women is wrong, it cannot be compared to the brutal erasing of their very presence. The burka deviates so radically from accepted Western norms that it cannot be permitted under the pretext of freedom of religious expression, just as full nudity can’t. That’s why the vast majority of moderate Muslims oppose the burka.
The burka also undermines social cohesion. Women who wear the burka in Western countries send out a strongly anti-integrationist message. It is part of a wider rejection of Western values by radical Islamists who insist on full communal autonomy and the official recognition of Sharia law, including the imposition of the niqab (full veiling of the female face), and sometimes the right to perform female genital mutilation.
In Britain, for instance, this total lack of willingness to integrate on the part of some Muslims has become an obstacle to the formal learning of English, has heightened inter-communal tensions, and has reinforced the ghettoization of Asian Muslims into separate enclaves with high unemployment and increased social alienation.
Finally, the burka can be a security or crime risk: It hides the identity of a potential terrorist or criminal.
FOR THESE reasons, lawmakers in several European countries, including Holland, Austria, Switzerland, Belgium, Germany, Italy and France are pondering anti-burka legislation. In January, Denmark decided to restrict niqab in public institutions.
Those who support such legislation realize that an easygoing multiculturalism works only when there are basic shared values and a willingness to integrate. But European multiculturalism has deteriorated into rudderless moral relativism and a pusillanimous reluctance to criticize radical Islamic customs for fear of being branded an Islamofascist.
Sadly, some Jewish leaders, such as Rabbi Pinchas Goldschmidt, chief rabbi of Moscow and leader of the Conference of European Rabbis, have helped foster such unfounded fears. “Sixty-five years after the liberation of Auschwitz,” wrote Goldschmidt in the New York Times in February, in an op-ed opposing the idea of bans on the burka, “Europeans can permit themselves to be squeamish about how things start and how things, if left unabated, can end.” As a rabbi, he added, “I am made uncomfortable when any religious expression is restricted, not only my own.”
Goldschmidt has got it wrong. Europeans have a right to feel uncomfortable. But not, as Goldschmidt argues, because Europeans are being too hard on Muslims. Rather, because they are being too soft.
To read more jpost article, click here
By Kamran Pasha
Filmmaker and author of Mother of the Believers- USA
Months ago the American Muslim community reeled from news of the horrific beheading of Aasiya Hassan, allegedly by her husband Muzzammil Hassan. They were respected members of the community and co-founded BridgesTV, a television network ironically dedicated to fighting negative stereotypes of Muslims.
As one of the first Muslims to succeed as a writer in Hollywood, I have been interviewed several times on BridgesTV and was delighted by the professionalism and media savvy of its staff. I had never met the Hassans, but I had been proud of their accomplishments.
They were bringing an Islam of love, compassion and human brotherhood to the world, while countering the horrific images of violence and misogyny that had tainted how my fellow Americans saw my faith. The Hassans were people I admired, educated professionals and patriotic Americans with a commitment to family and community.
And then I heard how Aasiya Hassan died and I wanted to throw up.
Right now there is a great deal of discussion in the media about whether her murder was an “honor killing.” And among the more bigoted commentators, there are cries that this horrific murder has proven the “true face of Islam” to the world. That no matter how hard Muslims try to sell an Islam of peace and social justice, a headless corpse of a poor, abused woman will always be its legacy to humanity.
I hear these words, and I want to cry out “No! This isn’t Islam! This isn’t the beautiful religion that brings comfort and joy to a billion people worldwide.” But then I see images in my mind of Aasiya Hassan lying decapitated in a pool of blood and I am left wondering why anyone should listen.
Remember, Remember
The greatest tragedy for me as a Muslim is that my faith is associated with such horrific actions that run counter to everything that Prophet Muhammad stood for. To those who know little about Islamic history, it may sound laughable to assert that Islam began as a proto-feminist movement. But it is true. Perhaps the way out of this madness for the Muslim community is to look back at the life of Prophet Muhammad and remember his true legacy as a visionary champion of women’s rights.
I recently finished my first novel, Mother of the Believers, which tells the story of Islam’s birth from the perspective of Aisha, the Prophet’s young wife. As a scholar, poet and warrior, Aisha was one of the most influential women in history, and her life reveals how empowered the women of Islam were at the onset of the faith. As I researched the story of early Islam for my novel, I was struck by how central women’s rights played in the community’s identity from the beginning. The Prophet was a sensitive man who had been orphaned at a young age and grew up in poverty. He saw from childhood the suffering of women and children in pre-Islamic Arabia, where the strong crushed the weak, and dedicated his life to changing the system.
One of the first Arab practices he outlawed was female infanticide. Pre-Islamic Arab men would bury unwanted baby girls alive in the desert, a horrific tradition that Prophet Muhammad ended forever. There is a powerful scene in the Holy Qur’an depicting Judgment Day where the souls of all girls who were slain would rise and confront their fathers, asking the men: “For what crime did you kill me?” And then their fathers would be flung into Hell. It is a vivid image meant to inculcate the true horror of such crimes in the minds of Arabs accustomed to centuries of brutal child murder.
The Prophet also established women’s right to inherit and own property, rights that were not given to Christian women until the 19th century in Europe and America. Considering his concern for women’s welfare, it is not surprising that the Prophet’s earliest followers were female. The first Muslim was his wife Khadijah, a wealthy widow who had been his employer and had proposed marriage to the penniless Muhammad when he was managing her caravans. The first martyr of Islam, Sumaya, was an elderly woman who was killed by Meccan idolaters for refusing to renounce monotheism.
So if all this is true, where does this idea of “honor killing” come from in the Muslim world? Unfortunately, it is one of the ugly elements of pre-Islamic Arabian culture that continues to reassert itself, despite the Prophet’s efforts to eradicate the practice.
In fact, Prophet Muhammad nearly lost his own beloved wife to the madness of the crowds screaming about “sexual honor.” In my novel, I detail how his wife Aisha was once falsely accused of adultery and was the victim of a gossip campaign meant to destroy her reputation and potentially her life. The Holy Qur’an exonerated her of the false accusations, and then demanded that anyone accusing a woman of adultery would have to bring four witnesses to the act of sexual intercourse. Of course, such a requirement is impossible to meet, and its purpose was to end the threat to women’s lives under claims of “preserving honor.”
Aisha was saved, but generations of women continue to be haunted by this curse from The Days of Ignorance, as Muslims refer to the era before Islam. The greatest tragedy of Islam is that some Muslim men continue to uphold these pagan practices that the Prophet outlawed 1,400 years ago.
Time for Taking Action
As a believer, I have no doubt that those who commit murder in the name of Islam will face the wrath of God in this life and in eternity. But personal belief is not enough. Islam is a religion of action. Muslim men must stand and fight against this evil of “honor killing” that destroys lives and families, shatters the bond of love between men and women, and brings disrepute to Islam, which was sent as a beacon of light to the world. If we fail to do so, we will have failed to follow the example of Prophet Muhammad, a kind and compassionate man who never struck a woman or child in his life. If we remain silent, we will have earned the cruel labels that Islamophobes and bigots seek to give us, barbarians, fanatics and monsters.
The choice that stands before Muslim men is stark. Do we follow ancient and evil practices, creating a cycle of violence and grief, and use culture as an excuse for our sins? Or do we follow our Prophet and create a better world where men and women treat each other with dignity and love? Do we turn life on this Earth into Hell, or into Paradise? The answer will reveal whether we are Muslims, people who have surrendered themselves to the true God of mercy and compassion, or idolaters, people who fashion God according to their own self-serving desires.
May God have mercy on the soul of Aasiya Hassan, and on her children and loved ones. May her tragic death serve as a catalyst to end this ancient and un-Islamic practice of “honor killing” forever.
Author : Kamran Pasha
Kamran Pasha is a writer and producer for NBC’s highly anticipated new television series Kings, which is a modern day retelling of the Biblical tale of King David. Previously he served as a writer on NBC’s remake of Bionic Woman, and on Showtime Network’s Golden Globe nominated series Sleeper Cell, about a Muslim FBI agent who infiltrates a terrorist group.
http://www.kamranpasha.com/index.php
By Kamran Pasha
Filmmaker and author of Mother of the Believers- USA
I returned recently from a week in France where a debate is raging over whether Muslim women should be permitted to wear the burqa, the traditional Middle Eastern garment that covers not only the whole body, but the face as well. President Nicholas Sarkozy unleashed a firestorm of controversy with his recent call for a ban against the veil, with supporters calling it a necessary stance to protect women’s rights, and opponents decrying the proclamation as racist and symbolic of Europe’s bigotry towards its Muslim population.
But what is really going on here? Why does a simple choice of women’s attire inspire such fierce emotion? What is it about the veil that brings out such a visceral response? The issue that is not being examined in this debate is one that is perhaps too close for comfort, too sensitive to examine in a post-modern world where assumptions about male and female identities are wrapped in decades of political ideology. The question is not about banning efforts by Muslim men to forcibly wrap women in burqas against their will. The question is over whether Muslim women who freely choose to don the veil should be legally prevented from doing so.
So the real question beneath the debate, the question that is too troubling to ask aloud, is whether there is something about the veil that is actually attractive to some women, and what that means for Western sacred cows about potential differences in masculine and feminine psychology.
I have been forced to look deeply into the issues of masculine and feminine dynamics in recent days. The publication of my novel, Mother of the Believers, which tells the birth of Islam from the perspective of Prophet Muhammad’s wife Aisha, has pulled me into the heart of modern discussions regarding the role of women in Islam. On my book tour through the United States, I have found myself at the center of impassioned arguments about women’s rights in the Islamic world and the intention behind ancient traditions such as veiling.
I have often found myself standing silent as women in the audience argue the issues among themselves with great passion and intensity. My role as an observer among these debates has allowed me to come to certain perceptions that might surprise both men and women used to speaking of women’s rights in the language of modern feminism. And the most startling perception, certainly for me, is that for many women, power is not defined in masculine terms of leadership over others, but in terms of social identity. And for many women, how their bodies are perceived by others is deeply central to their sense of who they are and their power over the world. And I have learned that for some women, the veil is actually a representation of an ancient kind of power, one that is rarely acknowledged in polite circles today – the power of feminine mystique.
Before I wade further into the dangerous waters of post-feminist social critique, I would like to acknowledge a point that opponents of the burqa have made – that the veil is not an Islamic religious requirement. They are correct. The veil predates Islam and was actually invented by Byzantine Christians and subsequently adopted by Zoroastrian Persians, long before Muslims appeared on the scene. In fact, the ironic social origin of the veil is that it was once used as a mark of power, not oppression.
Wealthy Christian women wore veils as a sign of high social status and nobility, while women who were unveiled in Byzantine culture were denigrated as low class, and indeed prostitutes in Byzantium would go about unveiled as a means of advertising their wares. “Respectable” Christian women believed that showing their beauty to all and sundry was cheap and demeaning. This Christian social tradition was not widespread in pre-Islamic Arabia. Like their Semitic sisters among Jews, Arab women would often wear headscarves, but face veiling was uncommon.
As I discuss in my novel, the only women that were required to be veiled in the early days of Islam were the wives of Prophet Muhammad, known in the Qur’an as “Mothers of the Believers.” Their role was to serve as the spiritual matrons of the Muslim community, and as a result they were required to live and dress differently from other women to designate their status. According to early historical sources, the veil was introduced for the Mothers after the the Prophet’s enemies taunted them and subjected them to demeaning slurs.
The triggering incident (which I recount in my novel) occurred when Aisha, a beautiful and charismatic woman, was being too forward at a social gathering, leading men at the event to ogle her and speak in demeaning terms about a woman they were supposed to revere as a spiritual guide. Shortly thereafter, the Qur’an commanded the Mothers to speak to men “through a curtain” so that their dignity would be preserved and harassment minimized.
This unusual requirement of veiling remained limited to the Mothers of the Believers and was not extended to the entire Muslim community. After Prophet Muhammad’s death, the Muslims conquered the neighboring Byzantine and Persian empires, where they first encountered widespread veiling among the upper classes. The egalitarian Arabs were offended by the social hierarchies of their conquered subjects, and Muslim leaders began to encourage veiling across every social spectrum to neutralize the haughty pretenses of aristocracy. So the mass introduction of the veil in the Middle East was originally an effort at elevating lower classes and defusing the privileges of the wealthy. While hard to imagine today, the veil was actually tool of social progress in a world with very different values.
So the critics of burqas are only partially correct – the veil is not Islamic in origin, but was definitely used by Muslims as a means of social engineering in the early days of the religion. Flash forward to the 21st century, where the veil no longer holds the same meaning as it did for Byzantine Christians. Today the veil is perceived by many in the West in opposite terms from its social origins, as a sign of oppression rather than nobility. And thus we come to the debate raging in France and much of Europe over whether the veil should be banished from the public sphere.
But the question then arises as to why Muslim women in free and open societies choose to don the veil in the first place. Certainly for some women, it is the result of social pressure from family members, and so their choice in the matter is not truly free. But in my talks with Muslim women, I was intrigued to hear stories from converts who have chosen to don the burqa despite strong social pressure from family and friends against it.
For these women, the veil represents something that is never raised in the modern debate. It represents an embrace of mystery. A reclamation of feminine mystique. An embrace of an age-old belief that less is more, that the power of the feminine is heightened by the allure of the unseen. Throughout human history, poets have written of love sparked just by seeing a glimpse of a woman’s eyes. The veil has often been the ultimate symbol of feminine coyness that activates masculine desire, the quest for the hidden pearl that sparks the dance of Eros. For some women throughout history, the veil has been a symbol of femininity on a deeply primordial level.
There is a strange duality to Western attitudes toward women’s liberation. Women are encouraged to pursue and master traditionally male roles in the worlds of business and politics. And yet they are also valued primarily for their physical looks and encouraged to display their charms at every opportunity. And so a strange schizophrenia has set in, where women are encouraged to be masculine in their ambitions while pressured to flaunt their feminine sexuality in public. Carla Bruni, the First Lady of France, is held up as an archetype of the empowered European woman, and is widely admired in the press for her beauty and style. But her intelligence and political savvy are rarely mentioned as assets.
The Muslim argument for the value of modest dress, whether it be the burqa or the less-restrictive hijab (headscarf) has always centered on a critique of the demeaning attitudes of the West toward women’s bodies. As the covers of popular magazines from Cosmopolitan (for women) to Maxim (for men) reveal, women’s social value in the West is determined by the size of their breasts, the beauty of their curves, the commoditization of their flesh. The end result has been a society in which women struggle with their self-esteem due to their perceived attractiveness. Eating disorders among women are commonplace, and even teenage girls feel pressured to get breast implants to increase their social value. Muslim women who choose to don modest dress say they are making a feminist stance against this cheapening of their bodies by modern culture. For them, wearing modest dress is the contemporary equivalent of burning their bras.
Undoubtedly others would disagree. But then we face the crux of the problem – is it the place of the state to define for women what values they should have? How they should see themselves, their clothes and their bodies? Even if the French are able to successfully enact a ban on the burqa, the attitudes behind the veil will not go away. The argument that the veil serves as an automatic barrier to Muslim women achieving leadership positions in business and politics is false. In my novel, I demonstrate how the Prophet’s wife Aisha, was able to become a politician, a scholar, a poet and a military commander – all while donning the veil. Muslim women from the Egyptian queen Shagrat al-Dur to the Mughal empress Nur Jahan have ruled nations from behind a veil. The burqa is not an automatic barrier to success in the public sphere for women. But more importantly, those women who have no desire to embark on such professions will not be coerced into doing so by regulating how they choose to cover their bodies.
It appears that some opponents of the the veil are actually more upset about the choice many women make to continue in traditional lifestyles even though other opportunities are available to them. But many women have no desire to embrace traditionally masculine ambitions, and will not do so no matter how much others try to force them to change. And efforts to compel Muslim women will only be met by anger and resentment. If some women are required by the state to dress in a fashion they find too revealing, even demeaning, there will only be a calcification of rebellion, a hardening of resistance to social control. The unrest that Europe faces with its Muslim population will only increase in intensity. As demographics change, as Europe inevitably moves toward Muslim social prominence, the tensions between the self-proclaimed arbiters of identity and their unwilling subjects will explode.
With all that said, here are my personal opinions on the matter, for whatever they are worth. I am a believer that every society has a right to regulate conduct within its borders, including how people are dressed. France has as much right to ban the burqa as Iran has to require it. But I believe that people should be honest about their motivations in either case. In both instances, such rules are the instruments of control freaks attempting to tell women how to think and feel about themselves based on clothing. And in my experience, efforts to legislate thoughts always fail. As we have seen in recent years, Iranian women have been pushing for greater freedom of dress, despite decades of indoctrination by the country’s clerics. At the same time, Muslim women have been pushing for the right to be left alone in Europe, to dress as they wish, despite intense social pressure to conform. The European couture police will no more be successful in compelling Muslim women to think in a certain way than have been the mullahs in the Middle East.
Specifically with regard to France, my own experience in that beautiful country (I lived in Paris for several months in 2007) leads me to believe that the controversy over the burqa is not really about women’s rights. It is about preserving a certain cultural heritage from the onslaught of foreign values and perspectives. The burqa controversy is really about attempting to save a beleaguered French identity from being replaced by a new and alien social tradition that is spreading through the power of demographics. But social engineering is a poor tool to curtail the realities of reproduction. At current birth rates, Muslims will become a numerically influential community inside France within this century. The same is true for many other nations in Europe. Efforts to stem the power of Muslim culture from reshaping European identity are as pointless as trying to hold back a river with one’s hands.
Of course, fear of change is understandable. But the burqa debate is just the tip of something darker, even sinister, within European culture today. It is based on a hatred of the other that arises from Europe’s unacknowledged racism toward its immigrant population. This fear against Muslims has led to some truly horrifying incidents of violence in Europe. A few days ago, a pregnant Muslim woman in Germany was murdered while testifying in court against a man who had subjected her to slurs for wearing a headscarf. Marwa el-Sherbini was stabbed 18 times by the man she had accused of racist bullying. Her three-year-old son watched in horror as his mother was killed in broad daylight, inside a court of law. Marwa’s husband was shot by court guards when he attempted to save her life.
This truly sickening incident has received almost no media coverage in Europe, even though Marwa has become a heroine and a martyr throughout the Muslim world. The fact that Europeans have chosen to ignore the brutal murder of a woman whose only crime was that she covered her head with a piece of cloth, reveals the real issues beneath the burqa debate. It is ultimately not about women’s rights, but about power over immigrants. Marwa was no weak and submissive Muslim woman. She was highly educated, a noted athlete (she was a national handball champion in Egypt), and her husband a genetic engineer seeking his PhD. Marwa represented the future of Europe’s Muslim immigrants – empowered, educated and strong. And she was butchered like an animal for having the audacity to dress differently. The fact that her death has not been a source of European soul-searching suggests that some truths are too painful to face.
The debate over Muslim dress and women’s rights will continue. But it needs to be seen in a broader issue of cultural values and history. There is much that Europe, with its ancient history and traditions, can add to the melting pot of Islamic identity. And there are important things that Muslims can remind their Western neighbors, including the value of traditional masculine and feminine dynamics. By showing respect for Muslim women’s choices in dress, the veil can paradoxically become an instrument to lift the barriers that separate human beings from each other.
Author : Kamran Pasha
Kamran Pasha is a writer and producer for NBC’s highly anticipated new television series Kings, which is a modern day retelling of the Biblical tale of King David. Previously he served as a writer on NBC’s remake of Bionic Woman, and on Showtime Network’s Golden Globe nominated series Sleeper Cell, about a Muslim FBI agent who infiltrates a terrorist group.
http://www.kamranpasha.com/index.php
ISLAM IN BRIEF
Islam is the second largest and the fastest growing religion in the United States. There are more than 1.2 billion Muslims around the world.